Anilkumar.H.A
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K.T. shivaprasad
Posted November 10th, 2008 by admin
K.T.Shivprasad
The book
Filed under:
Geo-Politics
,
History of Art and Artists in Karnataka
,
KANNADA FILMS/iNDIAN FILMS/INDIAN MOBILE CULTURE
,
Kannada Literature
,
Kannada Visual Culture/Bangalore
,
MONOGRAPH
,
PERSONALITIES
,
Postcolonialist Visual Culture
,
Theoretic Positions
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Pages
Analysing Single Works: “VOW” by B.H.Srinivasa Prasad
ANALYSIS: Redirecting the Looked, ‘around’ Its Own Self
ART REVIEW: The Improbability of Styles
ART REVIEW: “My Indian Faces”
ART REVIEWS
ARTICLE–Portrayer of Badami: the Orientalist Self-Ridicule
ARTICLE–Urge to Locate an Intriguing Moment within a Theoretic Premise, or, Is It The Other Way Round?:
ARTICLE: An autobiographical Representation of the ‘equation’ between Institutions of ‘Family’, ‘Royalty’ and ‘Institutionalization’
ARTICLE: Evolution v/s Development v/s Location of Historiography of Visual Language within the High Art of Karnataka
ARTICLE: N.S.Harsha’s works
ARTICLE: New Footprints in the Known Paths
ARTICLE: People, Place and Nation: Locating – Art and the Self
ARTICLE: Representational Politics of Kannada Films
ARTICLE: Self, Presence, Ethics and Values in/of Art: Case study of two works towards defining the notion of ‘Public Art’
ARTICLE: The Construct of New Media Works in South India
ARTICLE: “Mind the Gap”
Biodata
BOOK: Object looking outwards, at Us: HARUKO
CATALOG: (Kannada) The ‘Construct’ of a Personality, Imagination and a Legend: Raj Kumar in/as Visual Discourse
CATALOG: Branching Visuals over Flying Concerns
CATALOG: Imaging the Lightness of Meaning
CATALOG: Intimate interiors–Beyond the dialectic of real and imaginary
CATALOG: Line in a Circle
CATALOG: M.S.Amarnath’s Paintings
CATALOG: Permanently Framing Ambiguity or the Other Way Round:
CATALOG: Site, Sight & Soliloquy—The Tale of an Open-Ended Narrative:
CATALOG: Site, Sight & Soliloquy—The Tale of an Open-Ended Narrative:
CATALOG: The Man, Image and the ‘Construct’ of Statehood:
MONOGRAPH ARTICLE (Kannada): Chi. Srinivasaraju: The Kannada Meshtru who won the Cliches and Non-verbal Community
ARTICLE: ರಾಜ್ಕುಮಾರ!-an obituary
Permanently Framing Ambiguity or the Other Way Round:
Permanently Framing Ambiguity or the Other Way Round:
Person, Personification and the ‘Construct’ of a Legend: Dr. Raj Kumar
REFLECTIONS: Cauvery/ KHOJ -2002 Mysore
REFLECTIONS: ‘Denuding Formalism’ in this world of ‘Constructs’
RESPONSE: to the show “Rights? Riots?”
REVIEW (short film): The Afternoon Song
REVIEW: FAT is ‘Felt’ not FAT–Joseph Beuys at London
Self Referentiality: ‘Other English’ — Johny ML
Archives
June 2010
January 2010
April 2009
November 2008
October 2008
September 2008
Categories
CATALOG WRITINGS
(1)
Geo-Politics
(8)
History of Art and Artists in Karnataka
(10)
In search of a third genius
(1)
KANNADA FILMS/iNDIAN FILMS/INDIAN MOBILE CULTURE
(3)
Kannada Literature
(2)
Kannada Visual Culture/Bangalore
(9)
MONOGRAPH
(8)
PERSONALITIES
(10)
Postcolonialist Visual Culture
(11)
PUBLIC ART
(8)
Site Specificity
(5)
Theoretic Positions
(14)
Urban Curation
(3)
Urbanscape
(4)
WRITINGS ON FILM
(2)